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The 10th International Conference on Formal Ontology in Information Systems

Important Dates

Workshop/tutorial Proposal Submission: 2 March 2018

2 March 2018

Paper Submission Deadline: 13 April 2018

13 April 2018

Notification: 30 May 2018

30 May 2018

Camera-ready papers: 24 June 2018

24 June 2018

Conference: 17 – 21 September, 2018

17 – 21 September, 2018

Organized by The International Association for Ontology and its Applications

The 10th International Conference on Formal Ontology in Information Systems, FOIS 2018 , will be held in Cape Town, South Africa, 17-21 September 2018, following the 4th Interdisciplinary School on Applied Ontology, ISAO 2018 that will take place between 10-14 September 2018.

ISAO 2018

Definition and Scope

The advent of complex information systems which rely on robust, coherent and formal representations of their subject matter, led in the last 25 years to the exploitation of ontological analysis and ontology-based representation. The systematic study of such representations, their axiomatics, their corresponding reasoning techniques and their relations to cognition and reality, are at the center of the modern discipline of formal ontology.

Formal ontology is now a research focus in such diverse domains as conceptual modeling, database design, knowledge engineering, software engineering, organizational modeling, artificial intelligence, robotics, computational linguistics, the life sciences, bioinformatics, geographic information science, information retrieval, and the Semantic Web. Researchers in all these areas increasingly recognize the need for serious engagement with ontology, understood as a general theory of the types of entities and relations making up their respective domains of enquiry, to provide a solid foundation for their work.

The FOIS conference is a meeting point for researchers from all disciplines with an interest in formal ontology. The conference encourages submission of new and high quality articles on both theoretical issues and concrete applications. As in previous years, FOIS 2018 is intended as a nexus of interdisciplinary research and communication.

FOIS is the flagship conference of the International Association for Ontology and its Applications (IAOA, website: http://iaoa.org/ ), which is a non-profit organization aiming to promote interdisciplinary research and international collaboration at the intersection of philosophical ontology, linguistics, logic, cognitive science, and computer science, as well as in the applications of ontological analysis to conceptual modeling, knowledge engineering, knowledge management, information-systems development, library and information science, scientific research, and semantic technologies in general.

A Big Sky pass is located east of the festival grounds. The sites typically range from a 15 to 20-minute walk to the festival entrance. Big Sky camping pass includes an assigned 20x40’ campsite, good forone (1) steering mechanism and one (1) sleeping unit per campsite (RV is both the steering mechanism and sleeping unit). Vehicle must fit completely inside the campsite, no exceptions. No hook ups available, may bring a generator (quiet hours enforced)

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Platinum Camping is located next to KYSS Country. These sites are a 3-minute walk to the festival entrance. A Platinum Camping pass includes an assigned 20x40’ campsite, good for one (1) steering mechanism and one (1) sleeping unit per campsite (RV is both the steering mechanism and sleeping unit). Vehicle must fit completely inside the campsite, no exceptions. No hook ups available, may bring a generator (quiet hours enforced).

BUY TICKETS

An ADA Campingpass is located south ofthe festival grounds and is ideal for families, groups with children, or those looking to end the night early. Sites typically range from a 1 to 10-minute walk to festival entrance. It includes an assigned 20x40’ campsite, good forone (1) steering mechanism and one (1) sleeping unit per campsite (RV is both the steering mechanism and sleeping unit). Vehicle must fit completely inside the campsite, no exceptions. No hook ups available, may bring a generator (quiet hours enforced). Must have a government issued Handicapped placard.

The Standard Camping package includes two (2) 3-day General Admission non-transferrable tickets valid for one (1) per person all weekend with access to festival grounds, vendors and all shows, and one (1) 20’x40’ Campsite in the KYSS, Cat Country, XL Country, Family/Quiet, or ADA campgrounds good for one (1) steering mechanism and one (1) sleeping unit per campsite (RV is both the steering mechanism and sleeping unit). Sites typically range from a 1 to 10-minute walk to festival entrance. Your vehicle must fit completely inside the campsite, no exceptions. No hook ups are available, but you may bring a generator (Quiet hours enforced). Vehicles in the ADA Campsites must have a Gov’t Issued Handicapped placard.

The Luxury Camping package includes two (2) 3-day VIP non-transferrable tickets valid for one (1) per person all weekend with access to festival grounds, vendors and all shows, and one (1) 40’x40’ VIP Campsite located near the entrance to the festival grounds good for one (1) steering mechanism and one (1) sleeping unit per campsite (RV is both the steering mechanism and sleeping unit). Your vehicle must fit completely inside the campsite, no exceptions. No hook ups are available, but you may bring a generator (Quiet hours enforced). As a VIP you will also have exclusive access to the fenced VIP area in front of stage, a commemorative Headwaters Country Jam lawn chair, daily “Happy Hour” with free beer in VIP area at VIP bar window only, unlimited water and soda, VIP porto-potties.

Mitchell’s musical inclinations and his ‘maximalist’ writing — his way of pushing a story’s many possibilities to the breaking point and then merging them together again — found a receptive reader in the Dutch composer nike air max 1 black brown white fluffy
.

The 48-year-old van der Aa isn’t famous outside the rarefied world of contemporary international composers. But in that world, he’s a big deal. His 2010 cello concerto called ‘Up Close’ won the nike air max 2015 anniversary pack trainersvault
. The Grawemeyer is the classical composer’s equivalent to a Nobel Prize. It’s been around for 30 years — and even Philip Glass hasn’t won it.

Composer-director Michel van der Aa (left) and novelist-librettist David Mitchell (right) in ‘Composing Conversations,’ a public discussion held by the Dallas Opera. Photo: Jerome Weeks

“Michel’s an explorer,” Mitchell says of van der Aa’s cross-disciplinary artistry. “And he’s an alchemist. And he’s a grown adult with the sense that he’s a kid in this fantastic magical toy shop.”

He could well be talking about his own approach to writing novels. When the two men eventually met, van der Aa suggested Mitchell call him the next time the author, who lives in Ireland, was in Amsterdam. The next time Mitchell was in Amsterdam, he told his Dutch editor — with typical British reticence — Welllll , maybe he shouldn’t call van der Aa. The man teaches, after all. He’s probably busy.

“I still remember my editor saying in this cold, steely voice,” Mitchell says with a laugh, “‘ Now don’t you do his thinking for him . I’ll call him and see if he’s busy.'”

When they did meet, the two men didn’t immediately launch into possible projects. They talked opera: what it could be, what it should be, going forward. And then Mitchell told van der Aa about a novel he’d been considering, part detective story, part diabolical fantasy.

Roderick Williams as video artist Toby Kramer (bottom) and Kate Miller-Heidke as Amber in the video above. Photo: Karen Almond.

In the opera, the story follows a video artist named Toby Kramer, who’s commissioned to shoot a documentary about two missing people, a software engineer and a party girl named Amber. The videomaker encounters a psychiatrist named Marinus who knows more than she lets on (a figure who pops up, in different forms, in several of Mitchell’s novels), and Toby discovers that the two missing people are trapped between life and death in a kind of way-station, an unreal garden hidden under an overpass. There have been videos before this point, but the gardenis where the 3D projectionskick in and operagoers need to put on their 3D glasses — as we’re told in a pre-show announcement.

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